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Massimiliano Pagliara


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Massimiliano Pagliara

Massimiliano Pagliara wurde in Tricase (Lecce) im tiefsten Süden Italiens geboren. Schon als Kind hörte er die verschiedensten Musiken: Rap, klassische Musik. Massimiliano Pagliara Electronic & Dance kaufen im Online Music Store von HHV - Neuheiten & Topseller auf Vinyl, CD & Tape - Versandkostenfrei bestellen​. Bleep - We specialise in independent and innovative music regardless of genre or format. Working with labels and artists around the globe, we bring you a.

Massimiliano Pagliara

Massimiliano Pagliara wurde in Tricase (Lecce) im tiefsten Süden Italiens geboren. Schon als Kind hörte er die verschiedensten Musiken: Rap, klassische Musik. Massimiliano Pagliara. Gefällt Mal · 11 Personen sprechen darüber. DJ and Producer based in Berlin. butternutwoolens.com booking. Massimiliano Pagliara All Night Long €10 (Advance ticket, before ) €14 (at the door) Presale tickets and further information via RA.

Massimiliano Pagliara Input/Output: Valet Video

Massimiliano Pagliara – Sunset Funk

Wort fr Wort ins Killer Bienen aus dem Massimiliano Pagliara bersetzt bedeutet der Titel: Manchmal (Kabhi) Glck (Khushi), was Nadine erlebt hat. - Nächstes Video

Passengers: Apparat 55 min. Artist Massimiliano Pagliara ReleaseProduct Keep On Dreaming Label Needwant Catalogue Number Needw Release Date 6 September Eine Jugendliebe min. Devoid Of Dimension Pt. Passwort vergessen? Massimiliano Pagliara. Gefällt Mal · 11 Personen sprechen darüber. DJ and Producer based in Berlin. butternutwoolens.com booking. Entdecken Sie Veröffentlichungen von Massimiliano Pagliara auf Discogs. Kaufen Sie Platten, CDs und mehr von Massimiliano Pagliara auf dem. Massimiliano Pagliara wurde in Tricase (Lecce) im tiefsten Süden Italiens geboren. Schon als Kind hörte er die verschiedensten Musiken: Rap, klassische Musik. Bleep - We specialise in independent and innovative music regardless of genre or format. Working with labels and artists around the globe, we bring you a. Massimiliano Pagliara And Jules Etienne Present Egyptian Nipples: Massimiliano Pagliara And Jules Etienne Present Egyptian Nipples - Back But Half ‎ (5xFile, MP3, EP, ) Apersonal Music: apersonal Spain: Massimiliano Pagliara. 18, likes · 26 talking about this. DJ and Producer based in Berlin. butternutwoolens.com booking requests: [email protected] 9, Followers, 1, Following, Posts - See Instagram photos and videos from Massimiliano Pagliara (@massimilianopagliara_).

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Massimiliano Pagliara Stemming from Lecce Massimilano Pagliara has been based in Berlin for several years where he's been one of the main forces behind recombining the city's hardboiled techno scene with an often overlooked sensibility for the soft and the tender. Massimiliano Pagliara And Jules Etienne Present Egyptian Nipples: Massimiliano Pagliara And Jules Etienne Present Egyptian Nipples - Back But Half ‎ (5xFile, MP3, EP, ) Apersonal Music: apersonal Spain: Massimiliano Pagliara returns to Live At Robert Johnson for Devoid Of Dimension series The Panorama Bar resident will release a inch and a 7-inch on LARJ in November. Massimiliano Pagliara All Night Long at Robert Johnson, Frankfurt. 9 Attending. Past events with Massimiliano Pagliara. Sat, / Cruise x. Franz Scala, Massimiliano Pagliara, Discodromo, Emil Doesn't Drive, The Peanuts. Berlin. Chez Jacki. Fri, Paloma Imperial - Drop Acid Not Bombs. Please enable Javascript to take full advantage of our site features. Die Furchtlosen Vier it underground disco passion. Listen to all your favourite artists on any device for free or try the Premium trial. Sort Title, A-Z Title, Z-A Label, A-Z Label, Z-A Year, Year, Show 25 50 Refresh. Feel Live Album 2 versions. Checking messages, emails, and notifications adds so much to your freshly awoken mind that might actually be dangerous and could have a bad impact on the rest of your day. Find where you feel Gntm Ganze Folgen Staffel 13 and stick to it. Your studio is dominated by old gear. Show 25 50 Refresh. I had no idea about harmony, tonality, chords, key changes, and Liebesfilm Mediathek of those things. Actually whenever I start reading manuals again, I feel inspired and more confident and suddenly some The Commuter Kinox cool stuff happens again. With One Another Album 2 versions. Never stop learning, and making the effort to learn. Search for:. Massimiliano Pagliara was born in Tricase Lecce in the deep south of Italy. Thank you!

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Edit Artist. Massimiliano Pagliara Real Name:. Italian DJ and Producer based in Berlin. Facebook , SoundCloud , ostgut.

Viewing All Massimiliano Pagliara. Pagliara , Massi. Marketplace 1, For Sale Vinyl and CD. Data Quality Correct. Sort Title, A-Z Title, Z-A Label, A-Z Label, Z-A Year, Year, Show 25 50 Refresh.

Show 25 50 Refresh. Reviews Add Review. Artists by Vlntn Italian Artists by ZOZOTOWN. LORDS by D-rhino. Once I have recorded everything into the computer, if I am still not totally satisfied, I use an EQ Eight to polish the sound even more.

The final mix down takes place in Live as well. Your studio is dominated by old gear. You must be using a lot of CV triggering to get these machines communicating, but there are also a lot of stabs and melodies that sound a little too complex for control voltage messages.

Are you playing and modulating a lot of these parts by hand? I definitely do use CV-gate triggering to achieve a more organic swing in the groove of both rhythmic and melodic content.

This is what happened when Telephones and I worked together on the track "Long Distance Call" , for my album. The was our master clock and was triggering a few other machines that were triggering other machines.

We recorded the whole thing into Live and did some editing afterwards. For more complex melodic parts, such as arpeggios or chords progressions, I also use MIDI a lot.

Most of my gear has MIDI anyway and this comes in handy when I need to record these kinds of things. For example, all my polyphonic synths are going through a MOTU Express MIDI interface, which is connected to my iMac via USB.

As such, often I record the MIDI into Live first. Once I have these parts in Live I let them play for a while and before recording the audio, I shape their sound a lot on the actual synth by tweaking some knobs and faders with my hands, until I am totally convinced.

Sometimes I also let them play and record all those filter modulations as audio within one take. Once I am done with the recording I can still edit the audio parts in Live accordingly.

There are quite a lot of little details in your effects, such as panning modulated delays for instance. Many years later, my nephews discovered this little toy and had fun with it.

A couple of years ago, when I was visiting my parents during the summer, my youngest nephew turned up with it and wanted to do a little jam session with me.

I was like: wait a minute, where did this thing come from? I had completely forgotten about it. Pulse-code modulation at its best! I had to steal that keyboard from my nephew and bring it back to my studio in Berlin where I then made a whole new song from it.

But to really listen to an album or a track, you need to do so very carefully and not skip quickly through it.

When I listen to something that I like, I listen to it on repeat and in full length for a few days at least, sometimes weeks or even months.

There is so much music out there and to find the time to listen to everything is impossible. But I feel everyone can find some music which is special for a specific moment or mood.

This will spark new ideas for me, and develop me as an artist. Another thing that has helped me a lot in the studio, workflow-wise, is to have everything patched and routed.

I have a few different mixers and a couple of audio as well as MIDI patchbays and everything is ready to go. I can press play in Ableton Live, and for instance, all my drum machines start running.

It is not always super tight but I kind of like that. I feel it is important to have a certain kind of devotion and dedication in the studio.

Creating the most comfortable space according to your own needs, it is essential and can affect your performance and creativity. Creativity needs a still mind and this requires organization.

Create a new atmosphere for example by changing the lights, or adding some plants or anything that inspires to see new results. This year was very interesting because I discovered some new ways of working on music.

I relocated for three months to Los Angeles when I was working on my new album, Feel Live , via Live At Robert Johnson. My new studio comprised of a nice desk, my laptop with Ableton Live, Ableton Push, a BabyFace Audio Interface, a Dave Smith Tetra, a Waldorf Pulse 2, a Roland VP-3, an Eventide Space Factor.

Then in LA I got a MACKIE VLZ-PRO mixer and a pair of KRK monitors. At first it was somewhat weird and it definitely took me some time to adjust, but I then appreciated and discovered that working with limitations can actually be very useful.

With this same spirit, I set myself the limitation of using only one machine per track. This way, I felt I was really getting to know my machines better than ever, as I tried to pull everything out of them.

Also, while in LA, I worked a lot more with Ableton Push. I love making beats with that step sequencer, it really is fun!

But I also used it for my external synth devices to play some melodies, bass and chords. I am used to playing keyboards and so normally I need to visualise the black and white keys, in order to know what I am playing.

I have also been doing lots of editing, up in the sky, on numerous flights. I used to see other people doing this on the plane and wonder how they could do it.

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